On May 06, 2011, the Sidney & Berne Davis Art Center will host its first solo exhibition by local resident and internationally renowned painter Marcus Jansen. His recent documentary, A Painters’s Allegory, will show during the reception and throughout the exhibition period. The show opens at 6:00 p.m., during Art Walk, and runs through May 27, 2011. The Art Center is located at 2301 First Street, in the River District, downtown Fort Myers.
Jansen is a citizen of the World, a Gulf War Veteran who managed to transform his life from a soldier at war to a soldier in the arts. Since 1997, he has been known for exploring modern settings and often graffiti urban landscapes that deliver social and political commentary of our contemporary world.
Jansen’s work has been published and noted in media publications such as Forbes Magazine, The New York Times, The Kuwait Times, Art News and Art in America Magazine. Work has been included in Who’s Who in American Art and Who’s Who in International Art. His collections include the Kemper Museum of Contemporary Art, The Moscow Museum of Modern Art, (MMOMA), The National Taiwan Museum of Fine Art, as well as The New Britain Museum of American Art and the Smithsonian Institution. Jansen may be considered one of the most exciting new painters to emerge at the early part of the 21st Century and has created an international following.
Jansen’s background is as complex as his art. A world traveler, his work demonstrates a rebellious spirit, an unusual and raw style that rejects traditional norms in painting. Over the last decade, Jansen’s paintings feel like a mix of urban street art crossed with expressionism from Germany. Jansen’s work shows viewers a raw usage of paint and swift interlocking texture changes that create a rhythm that draws viewers in. Jansen’s landscapes show strong North American influences, but he refers to them as universal in nature and not location specific.
His work can be linked to Jansen’s history. He lived in the Bronx and Long Island in the 1970′s and often traveled to other boroughs of NY City on graffiti infested subway trains as a child. He was facinated by the large cartoon- like characters and letters that decorated those huge dull trains, transforming them into wonders of art. His father, a German businessman and student of history who had traveled widely in Germany, France and England as well as his West-Indien mother who was an artist and sang in choirs, had a strong lasting influence on Jansen’s work. Jansen moved to Germany in 1975, where he learned about German expressionism which made an impression early on during his visits to many European countries in the 1980′s. In 1986 he spent much time in the Netherlands, France and Italy and many other European capitals.
These experiences have found their ways into Jansen’s art, creating powerful visual images that tell stories about where and how people live. In 1990, Jansen joined the US Army and returned to the United States, and shortly afterwards he was assigned to Desert Storm. It was there he started experiencing difficulties from his combat experiences. He decided to dedicate his life to painting before being approached by Museum Director Jerome A. Donson. It was the beginning of a relationship that lasted for several years. Donson was quoted saying, “you are my last find,” shortly before he passed in 2009. He directed many traveling exhibitions for the Museum of Modern Art (MOMA) NY, working closely with painters like Jackson Pollock, Robert Rauschenberg, Franz Kline and Willem de Kooning. Donson was also the author of the American Vanguard Exhibitions 1961 and in 2006 wrote the foreword to Jansen’s book, Modern Urban Expressionism, The Art of Marcus Antonius Jansen, which was Donson’s last written publication.
